Jerome Lagarrigue: Painting the Raw Truth of the Human Spirit

Jerome Lagarrigue’s work dives straight into the messy layers of identity. His paintings demand that you feel. Bold strokes, textured surfaces, and dynamic compositions pull you into a world that is both intensely personal and universally relatable. Vulnerability, defiance, and that endless human itch for meaning are all there—raw and unvarnished.

At the heart of his work is Jerome’s knack for capturing the human spirit in its purest, unpolished form. The people he paints seem to carry the weight of their histories, teetering between revelation and concealment. There’s a tension in his work, a sense that his subjects are on the brink of some internal reckoning. Their gazes and body language convey more than words ever could.

Light and shadow are his secret weapons. His paintings appear to glow from within, with light falling over his figures like a whispered secret, while shadows linger like unspoken truths. It feels as though you’ve stumbled into a private moment—intimate, but not fully exposed.

Identity, struggle, and resilience are constant threads in Jerome’s work. Many of his pieces confront race and the social forces that shape us. His figures meet the viewer’s gaze with unyielding resolve—not hostile, but unwaveringly firm.

There’s also a raw physicality to his work. The bodies he paints are strong and grounded, yet not invincible. Scratches, scars, and the subtle sag of exhaustion remind us of the wear and tear of being human. These are bodies that have lived, endured, and carried their battles forward.

Even his backgrounds play a role. Sometimes they’re detailed and specific, grounding his figures in a tangible world. Other times, they’re stripped bare—abstract spaces that suspend the subject in thought or emotion.

What makes Jerome’s work so gripping is its honesty. His connection to his subjects is palpable. His brushstrokes feel intentional, as though he’s not just painting but understanding. That connection radiates outward, transforming his work from a mere image into an encounter.

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When People Meet Places

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Alina Grasmann: Memory, Architecture, and Everything In Between