Joey Bates: The Master of Paper Sculptures
The first time I saw Joey Bates's work was while doing research for a Serafina project, which called for a giant paper sculpture. I was immediately drawn to the intricacies of Joey's work. He creates paper sculptures with meticulously cut elements, all held together by a hidden paper structure, resulting in phenomenal texture and visual depth.
Joey's latest work primarily explores the theme of volcanic explosions. His pieces are typically titled "Explosion" followed by a number, reflecting their inspiration from real volcanic events. Despite the delicate nature of paper, Joey's pieces are engineered to last, using archival materials and protective plexiglass boxes to ensure longevity. Each work consists of a detailed botanical paper sculpture, often taking weeks to months to complete depending on its complexity. I know I’m not supposed to ask how long it takes for a work of art to be completed, but I did it anyway—I couldn’t help my curiosity.
The process Joey uses to create his sculptures is intricate and methodical. He starts with a conceptual drawing, breaks down the different sections, and meticulously maps out how each piece will be assembled. The hidden backing structures he builds serve as the foundation, holding the delicate paper flowers and other elements in place. This engineering aspect is crucial for the resilience of the work.
Joey's attention to detail and commitment to longevity is evident in his choice of materials and construction methods. He shared a story about seeing a work on paper from the 1800s at a museum in Paris, which reassured him that his carefully built pieces would also stand the test of time.
Living in the Swedish countryside, surrounded by woods, nature profoundly influences Joey's work. His obsession with botanical elements is evident in his detailed sculptures, which are constructed from copious layers of hand-cut paper that play with depth and perception.
A significant part of Joey's work involves commissions. He is known for his collaborative approach, involving clients deeply in the creative process. This collaboration often surprises clients with the amount of input they have, making the final piece even more meaningful to them. Working within client-provided boundaries can be comforting for some artists and, in this case, allows Joey to focus his creativity within a defined scope.
The Serafina project we discussed ultimately didn't work out due to time constraints. However, discovering Joey's art was a rewarding experience. His work, characterized by an obsession with flowers and the theme of explosions, is truly phenomenal.