The Germans are exceptionally skilled at abstraction. Why is this the case?

A couple of articles ago, I mentioned that I systematically categorize the artists I admire, and one of these categories is “Contemporary German Abstraction.” The reason for such specific category is the remarkable proficiency of German artists in the realm of abstraction. Maybe I'm overgeneralizing, but every time I find a work of abstract art I love, it often falls into this category. It might be something that resonates with me personally, but I don’t think I’m alone in this sentiment.

As highlighted in this newsletter, the two artists I featured in the previous articles are prime examples of excellence in abstraction. German artists are renowned for their contributions to contemporary abstraction. So, I had to figure out why. My initial thought was that it stemmed from their historical foundation. Germany has a rich history of abstract art, dating back to the early 20th century with movements such as German Expressionism and the Bauhaus school. These movements emphasized abstract forms and theoretical approaches to art, establishing a strong foundation for contemporary practices. The Bauhaus, in particular, with its revolutionary ideas about material, form, and the intersection of art and technology, has been a significant influence on contemporary abstract art. My theory made sense, but it felt somewhat incomplete.

Recently, while at the pool with my kid, I was chatting with my German friend Julia. I offered my perspective and, rather unimpressed she cut to the chase:

—“German abstraction is so good because of the Nazis…”

—Oh.

Now, Julia has a PhD in German Cultural Studies from Columbia University (where she also teaches), and her focus is on Post-War German Culture. It’s fair to say she knows what she’s talking about. According to her, the excellence in German abstraction partly arises from the Nazi era. The Nazis deemed Bauhaus, German Expressionism, and other forms of modern art as “Degenerate Art.” As a response, and in an effort to differentiate themselves from Nazi ideology, German artists strived to make their abstract art as exceptional as possible, pushing the boundaries and distancing themselves from the oppressive regime’s values and visual aesthetics.

In conclusion, the proficiency of German artists in abstraction might be the result of a complex interplay of historical influences and a reactionary drive to oppose Nazi ideals and visual aesthetics. This combination has led to a rich tradition of innovation and excellence in contemporary German abstract art.